250 Royalty-Free Audio Tracks for "Low To High"

High gain guitar noise. (natural harmonic on the 3rd fret on low c on guitar tuned in drop c. ).

A person whistling like a bird chirp, three quick notes: high, low, slide upward.

Recorded in a tram in tokyo. I didn't use high-pass filter when recorded, so i think you can hear much low frequency. Sennheiser mkh20 and fostex fr-2.

Swinging a bamboo stick through the air. Part of a pack of 20 high and low force sounds.

A person whistling like a bird chirp, two quick notes: low, high. Like a fast "bob white. ".

This is a remix of a high bell. After some complex filtering and re-pitching, here it is! this bell is tuned to a#.

A scary large monster screech/growl for ambience.

Thick, juicy kick drum sample with its highs taken out.

Battery drill gear changed from low to high speed.

Low and high tones in a calm continuum. Playing my keyboard, slow notes. Used it for background for narration of a video about the universe.

Sound originally created by jean-claude risset to create an auditory illusion of an endless glissendo from high to low.

This is actually a sound of a metallic handdrail being struck, with a lot of frequencies (low and high). Some street noises can be heard.

Low rumble using interface noise neural dsp gojira, acustica coffepun and heavy filtering. I also added a high-passed filtered mid-side version for the stereo image.

Four variations of the kick drum, high to low intensity. A more modulated version of nexkick03-x4.

This is a sine-wave that sweeps from low to high. Cassette emulator is added and some reverb. A long high pitched tail is at the end, which i forgot to remove. Inspired by the film "wavelength" by michael snow.

Another poot with a sweeping pitch from low to high. Processed with audacity for a more consistent tone and volume.

Just a loop that has been sliced at 53 bpm, applied a low-pass into high-pass filter and then finally gated to create a unique effect :).

After recording 2 soundtracks of a voice (high-pitched and low-pitched), i've selected the interesting part, and applied to it a cross fade out. Then i've mixed the soundtracks together.

Aethernet-cc0 motherboard iso synchronous multiplexer thx qos electric stream ecology standard low energy high frequency multiple path channel calculator core 10 20 40 adaptative entropy ideal isotropy.

Aethernet-cc0 motherboard iso synchronous multiplexer thx qos electric stream ecology standard low energy high frequency multiple path channel calculator core 10 20 40 adaptative entropy ideal isotropy.

Aethernet-cc0 motherboard iso synchronous multiplexer thx qos electric stream ecology standard low energy high frequency multiple path channel calculator core 10 20 40 adaptative entropy ideal isotropy.

Use it the way you want wherever you want. I recommend checking also:bubble medium. Wavbubble high. Wav. God bless you.

An alternate version of the phrase, "now we gonna pour ya up a cuppa that liquid funk," with a doppler from low to high.

High-quality cinematic effect for voicing videosкачественный кинематографический эффект для озвучивания видео.

Use it the way you want wherever you want. I recommend checking also:bubble high. Wavbubble low. Wav. God bless you.

Sounds like a teleportation device powering down maybe?.

Grass blowing in the wind with a high-pass filter to get rid of some low wind rumble recorded with m/s mics on a zoom h2n with a rode windscreen.

Heavy rain falling on a ceramic planter (pot?), making high and low harmonics. Rec with a marantz pmd 661, internal mic, stereo.

This is me playing an egg shaker. It will loop perfectly at 80 bpm or 160 bpm. Basic cleanup in audacity (noise removal, low pass and high pass filters).

This is me playing an egg shaker. It will loop perfectly at 80 bpm or 160 bpm. Basic cleanup in audacity (noise removal, low pass and high pass filters).

I recorded it with a samsung ace3 and then put it through the cubase 5 with some high and low cuts in the eq from cubase and with a litle gate.

Me saying iye with some flanger and chorus added. Also high/low passed between 250 and 4400. Enjoy, feel free to use freesounds.

Some notes from the low register (d2) to the high register (g#4) of the instrument; staccato and legato playing; sorry i don't remember the mike used for the recording.

Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Field recording of fire pit on my patio, there is some low rumble from far away traffic on the high way.

Triple osc, echo. Recorded with low volume and re-recorded with a high output volume.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

Mono. Dry. Classic theremin scifi sound - full range sweeping soundbeam from low to high. Recorded dry so you can add the effects you wish.

Morning ambience with hundreds of birds chirping at dawn. Recorded on tascam dr-40 internal mics. Just some filtering on high and low end.

Squealing whistle noise from a circuit bent tape recorder. Sweeps from a a low pitch to very high pitched.

Recorded on a beautiful spring day on a trail with high oaks overhead. You can hear the wind blowing through the treetops, the low grass blowing, and random insects on the ground.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

My upstairs neighbor sometimes likes to rhythmically stomp on their floor. I recorded their stomping with low gain and then with high gain, from the living room of my apartment. You'll likely need to perform some noise reduction, especially on the high gain stomps. This was recorded with a blue yeti mic.

This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Follow me on youtube for future tutorials and music. Https://www. Youtube. Com/channel/uc3f2acuv1q0hsuaxqqwotrq-------------i make sounds for freesound. Orgi obviously don't get paid anything for uploading and the premise of using freesound. Org is to share sounds for free to everyone. If you could help me make this a sort of go fund me donation so i can continue doing what i love. Any amount donated is greatly appreciated and words can't show how much i appreciate you. Thank you for reading. Https://paypal. Me/pools/c/81iraceqx0.

Hollow, reverby snare with some low rumble, fizzly highs, and nudged-down frequency ranges. ("derezzed" because i cut down some resonance).

Three high quality foley sounds of a low pitched echoing drum for suspense. For those who have played the game slender man, they just might ring a bell. These were made by using a sample of a drum and adding heavy low pass and adobe soundbooth's echo and dream sequence effect.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.

Recorded on tascam dr-05 v2hardly processed ambiences are combined. I recorded and made this for my new game. It's cc0 content, you can use it wherever you want!. Processes. Ambience #1:recorded in my house, low cut @3khz 24db/oct, high cut @12khz 12db/octplug-in polyverse wider - 97%. Ambience #2:recorded alongside of a pond, low cut @500hz 12db/oct, high cut @18khz 12db/octplug-in polyverse wider - 98%.